Светлый фон

*Janata, P., and S. T. Grafton. 2003. Swinging in the brain: Shared neural substrates for behaviors related to sequencing and music. Nature Neuroscience 6 (7): 682–687.

Nature Neuroscience

*Johnsrude, I. S., V. B. Penhune, and R. J. Zatorre. 2000. Functional specificity in the right human auditory cortex for perceiving pitch direction. Brain Res Cogn Brain Res 123: 155–163.

Brain Res Cogn Brain Res

*Knosche, T. R., C. Neuhaus, J. Haueisen, K. Alter, B. Maess, O. Witte, and A. D. Friederici. 2005. Perception of phrase structure in music. Human Brain Mapping 24 (4): 259–273.

Human Brain Mapping

*Koelsch, S., E. Kasper, D. Sammler, K. Schulze, T. Gunter, and A. D. Friederici. 2004. Music, language and meaning: brain signatures of semantic processing. Nature Neuroscience 7 (3): 302–307.

Nature Neuroscience

*Koelsch, S., E. Schröger, and T. C. Gunter. 2002. Music matters: Preattentive musicality of the human brain. Psychophysiology 39 (1): 38–48.

Psychophysiology

*Kuriki, S., N. Isahai, T. Hasimoto, F. Takeuchi, and Y. Hirata. 2000. Music and language: Brain activities in processing melody and words. Paper read at 12th International Conference on Biomagnetism.

Первоисточники по нейроанатомии восприятия и распознавания музыки.

 

Levitin, D. J. 1996. High-fidelity music: Imagine listening from inside the guitar. The New York Times, December 15.

The New York Times,

 

Levitin, D. J. 1996. The modern art of studio recording. Audio, September, 46–52.

Audio,

О современных методах записи и иллюзиях, которые они создают.