Светлый фон

О композиторе, атональной музыке и додекафонии.

*Russell, G. S., K. J. Eriksen, P. Poolman, P. Luu, and D. Tucker. 2005. Geodesic photogrammetry for localizing sensor positions in dense-array EEG. Clinical Neuropsychology 116: 1130–1140.

Clinical Neuropsychology

Обратная задача для уравнения Пуассона в локализации ЭЭГ.

 

Samson, S., and R. J. Zatorre. 1991. Recognition memory for text and melody of songs after unilateral temporal lobe lesion: Evidence for dual encoding. Journal of Experimental Psychology: Learning, Memory, and Cognition 17 (4): 793–804.

Journal of Experimental Psychology: Learning, Memory, and Cognition

 

Samson, S., and R. J. Zatorre. 1994. Contribution of the right temporal lobe to musical timbre discrimination. Neuropsychologia 32: 231–240.

Neuropsychologia

О нейроанатомии восприятия музыки и речи.

 

Schank, R. C., and R. P. Abelson. 1977. Scripts, plans, goals, and understanding. Hillsdale, N. J.: Lawrence Erlbaum Associates.

Scripts, plans, goals, and understanding.

Основополагающая работа о схемах.

*Shepard, R. N. 1964. Circularity in judgments of relative pitch. Journal of The Acoustical Society of America 36 (12): 2346–2353.

Journal of The Acoustical Society of America

*Shepard, R. N. 1982. Geometrical approximations to the structure of musical pitch. Psychological Review 89 (4): 305–333.

Psychological Review

*Shepard, R. N. 1982. Structural representations of musical pitch. In Psychology of Music, edited by D. Deutsch. San Diego: Academic Press.