Verkerk D. Biblical manuscripts in Rome 400–700 and the Aschburnham Pentateuch // Imaging the early medieval Bible. Pennsylvania State University Press, 1999. P. 97–120.

Verkerk D. Black Servant, Black Demon: Color Ideology in the Ashburnham Pentateuch // Journal of Medieval and Early Modern Studies. 2001. Vol. XXXI. P. 57–78.

Verkerk D. Early Medieval Bible Illumination and the Ashburnham Pentateuch. Cambridge: Cambridge University press, 2004.

6б. Раннеанглийские и раннеиспанские памятники и их дериваты

Blum P. The Cryptic Creation Cycle in Ms. Junius xi // Gesta. 1976. Vol. 15. № 1/2. P. 211–226.

Broderick H. L. Observations on the method of illustration in MS Junius 11 and the relationship of the drawings to the text // Scriptorium. 1983. № 37–2. P. 161–177.

Bucher F. The Pamplona Bibles, 1197–1200 A. D. Reasons for Changes in Iconography // Stiel und Uberlieferung in der Kunst des Abendlandes. B. 1. Berlin, 1967. P. 131–139.

Bucher F., ed. The Pamplona Bibles. A facsimile compiled from 2 picture Bibles with martyrologies commissioned by King Sancho el fuerte of Navarra (1194–1234) Amiens Manuscript Latin 108 and Hamburg Ms 1, 2 lat 4, 15. New Haven and London, 1970.

Castiñeiras M. From Chaos to Cosmos: The Creation Iconography in the Catalan Romanesque Bibles // Arte medievale. Nuova Serie. 2002. № 1. P. 35–50.

Contessa A. Between Art, Faith and Science. The concept of Creation in the Ripoll and Roda Romanesque Bibles // Iconographica. 2007. P. 19–43.