Светлый фон
Atkins W. A.

– Attali J. Noise. The Political Economy of Music. Minneapolis; L.: University of Minnesota Press, 2009.

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– Auner J. A Schoenberg Reader: Documents of a Life. New Haven; L.: Yale University Press, 2003.

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– Auner J. Schoenberg’s Row Tables: Temporality and the Idea // The Cambridge Companion to Schoenberg / J. Shaw, J. Auner (eds.). Cambridge; N. Y.: Cambridge University Press, 2010.

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– Auslander P. Performing Glam Rock: Gender and Theatricality in Popular Music. Ann Arbor: The University of Michigan Press, 2006.

Auslander P.

– Ayrey C. Stravinsky in Analysis: The Anglophone Traditions // The Cambridge Companion to Stravinsky / J. Cross (ed.). Cambridge; N. Y.: Cambridge University Press, 2003.

Ayrey C.

– Babbitt M. Twelve-Tone Invariants as Compositional Determinants // The Collected Essays of Milton Babbitt / S. Peles (ed.) Princeton; Oxford: Princeton University Press, 2003.

Babbitt M.

– Babbitt M. Who Cares if You Listen? // High Fidelity. February 1958. Vol. 8. № 2.

Babbitt M.

– Baham N. L., III. The Coltrane Church: Apostles of Sound, Agents of Social Justice. Jefferson: McFarland & Company, Inc., 2015.

Baham N. L., III.

– Bailey J. Philosophy and Hip-Hop: Ruminations on Postmodern Cultural Form. N.Y.: Palgrave Macmillan, 2014.

Bailey J.

– Bailey K. The Life of Webern. Musical Lives. Cambridge; N. Y.: Cambridge University Press, 1998.