Светлый фон

Clark K. The Soviet Novel: History as Ritual. 3rd ed. Bloomington: Indiana University Press, 2000.

Clark K

Clark K., Tihanov G. Soviet Literary Theory in the 1930s: Battles over Genre and the Boundaries of Modernity // A History of Russian Literary Theory and Criticism: The Soviet Age and Beyond / Ed. by E. Dobrenko, G. Tihanov. Pittsburgh, PA: University of Pittsburgh Press, 2011. P. 109–143.

Clark K Tihanov G.

Clayton J. Douglas. Pierrot in Petrograd: The Commedia Dell’arte/Balagan in Twentieth-Century Russian Theatre and Drama. Montreal: McGill-Queen’s University Press, 1993.

Clayton J

Cohn D. The Distinction of Fiction. Baltimore, MD: Johns Hopkins University Press, 1999.

Cohn D

Creating Life: The Aesthetic Utopia of Russian Modernism / J. D. Grossman, and Irina Paperno, eds. Stanford, CA: Stanford University Press, 1994.

de Man P. Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust. New Haven, CT: Yale University Press, 1979.

de Man P

Cultural Mythologies of Russian Modernism: From the Golden Age to the Silver Age / B. Gasparov, R. P. Hughes, I. Paperno, eds. // California Slavic Studies, vol. 15. Berkeley: University of California Press, 1992.

de Man P. Autobiography as De-Facement // The Rhetoric of Romanticism. New York: Columbia University Press, 1984. P. 67–81.

de Man P

Depretto C. Le Formalisme en Russie. Paris: Institut d’Etudes Slaves, 2009.

Depretto C

Dilthey W. Descriptive Psychology and Historical Understanding / Trans. by R. Zaner and K. Heiges. The Hague: Martinus Nijhoff, 1977.

Dilthey W

Dilthey W. Pattern & Meaning in History; Thoughts on History & Society. Edited by H. P. Rickman. New York: Harper, 1962.