РазноеСвободный танец в России. История и философиястр 260
Светлый фон
Sinclair F. R.

Sirotkina I. La danse et l’ opposition «naturel-artificiel» // Pour l’Histoire des Sceinces de l’Homme. Bulletin de la SFHSH. 2007. № 31. P. 9–18.

Sirotkina I.

Sirotkina I. The Revolutionary Body, or Was There Modern Dance in Russia // Arti dello Spettacolo / Performing Arts. 2018. IV (4). Р. 31–41.

Sirotkina I.

Sirotkina I. The ubiquitous reflex and its critics in post-revolutionary Russia // Berichte zur Wissenschaftsgeschichte. 2009. Vol. 32. Issue 1. Р. 70–81.

Sirotkina I.

Smith R. «The sixth sense». Part I: The empiricist background to the muscular sense; Part II: The physiological and psychological understanding of kinaesthesia // Gesnerus. 2011. Vol. 68(2). P. 218–271.

Smith R.

Snyder J. Visualization and Visibility // Picturing Science, Producing Art / Ed. C. A. Jones, P. Galison, A. Slaton. New York: Routledge, 1998. P. 379–400.

Snyder J.

Soupault P. Terpsichore. Arles: Actes Sud-Papiers, 1986.

Soupault P.

Splatt C. Isadora Duncan and Gordon Craig: The Prose and Poetry of Action. San Francisco: The Book Club of California, 1988.

Splatt C.

Steegmuller F. «Your Isadora»: The Love Story of Isadora Duncan and Gordon Craig Told through Letters and Diaries. New York: Vintage Books, 1976.

Steegmuller F.

Stites R. Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution. New York: Oxford U. P., 1989.

Stites R.

Strigalev A. Alexandra Korsakova-Rudovich // Experiment. 1996. Vol. 2. P. 241–251.