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Lipton S.

Lipton 2008 – Lipton S. Where Are the Gothic Jewish Women? On the Non-Iconography of the Jewess in the Cantigas de Santa Maria // Jewish History, 2008, Vol. 22, № 1 / 2. P. 139–177.

Lipton S. Cantigas de Santa Maria

Lipton 2014 – Lipton S. Dark Mirror: The Medieval Origins of Anti-Jewish Iconography. New York: Metropolitan, 2014.

Lipton S.

Lipton 2016 – Lipton S. Isaac and Antichrist in the Archives // Past and Present, 2016, Vol. 232, № 1. P. 3–44.

Lipton S.

Little 1971 – Little L. K. Pride Goes Before Avarice: Social Change and the Vices in Latin Christendom // The American Historical Review. 1971. № 2. P. 16–49.

Little L. K.

Logemann 2015 – Logemann C. The Invented Audience: Allegorical Power of Persuasion as Visual Strategy // Fricke B., Kraß U. (eds.). The Public in the Picture. Involving the Beholder in Antique, Islamic, Byzantine, Western Medieval and Renaissance Art. Berlin; Zürich: Diaphanes, 2015. P. 206–229.

Logemann C.

Loriga 2008 – Loriga S. Une vieille affaire? Les «Pâques de sang» d'Ariel Toaff // Annales. Histoire, Sciences Sociales, 2008, № 1. P. 143–172.

Loriga S.

Luard 1872–1883 – Luard H. R. (ed.). Matthæi Parisiensis, Monachi Santi Albani, Chronica Majora. London, 1872–1883. Vol. 1 (1872), Vol. 2 (1874), Vol. 3 (1876), Vol. 4 (1877), Vol. 5 (1880), Vol. 6 (1882), Vol. 7 (1883).

Luard H. R.

Lubrich 2015 – Lubrich N. Judenhut et Zauberhut: la prolifération d'un signe juif // ASDIWAL. Revue genevoise d'anthropologie et d'histoire des religions, 2015, № 10. P. 137–162.

Lubrich N. Judenhut Zauberhut

Luchitskaya 2000 – Luchitskaya S. Muslims in Christian Imagery of the Thirteenth Century // Al-Masaq. Islam and the Medieval Mediterranean, 2000, Vol. 12. P. 37–67.