РазноеНа орбите Стравинского. Русский Париж и его рецепция модернизмастр 217
Светлый фон

Diaghilev 1927 – Interview with Diaghilev. The New Ballet. M. Diaghilev and the Music of Prokofiev. How it Broke his Piano // Observer. 1927. 3 July.

Downes 1928 – Downes O. Stravinsky Ballet in World Premiere, “Apollon Musagetes” Opens the Elizabeth Sprague Coolidge Festival in Washington // New York Times. 1928. 28 April.

Downes 1931a – Downes O. Some Considerations Concerning Experiments in a New Art-Form // New York Times. 1931. 8 March.

New York Times.

Downes 1931b – Downes O. “Oedipus”, a Stage Spectacle // New York Times. 1931. 22 April.

New York Times.

Downes 1938 – Downes O. “End of St. Petersburg” by Dukelsky Has Premiere // New York Times. 1938. 13 January.

New York Times.

Dufour 2006 – Dufour V. Stravinsky etses exegetes (1910–1940). Brussels: Editions de 1’Universite de Bruxelles, 2006.

Stravinsky etses exegetes (1910–1940).

Duke 1955 – Duke V. Passport to Paris. Boston: Little, Brown and Company, 1955.

Passport to Paris.

Duke 1963 – Duke V. “Listen Here!” A Critical Essay on Music Depreciation. New York: I. Obolensky, 1963.

“Listen Here!” A Critical Essay on Music Depreciation. New York: I. Obolensky, 1963.

Duke 1964a – Duke V. The Deification of Stravinsky // Listen: A Music Monthly. 1964. Vol. 4. May – June. P. 1–5.

Listen:

Duke 1964b – Duke V. The Deification of Stravinsky, Part II // Listen: A Music Monthly. 1964. Vol. 5. September – October. P. 1, 3–5.

Listen:

Dumm 1964 – Robert Dumm’s review // American Music Teacher. 1964. Vol. 14. № 2 November – December. P. 36.

d’Espezel 1937 – d’Espezel P. L’exposition international des arts et des techniques dans la vie modern // Revue de Paris. 1937. № 44.15 August. P. 936.