Светлый фон
Kaspe I.

Kermode F. The Sense of an Ending: Studies in the Theory of Fiction. Oxford: Oxford University Press, 2000.

Kermode F.

Khagi S. Alternative Historical Imagination in Viktor Pelevin // Slavic and East European Journal. 2018. 62. № 3. P. 483–502.

Khagi S.

Khagi S. From Homo Sovieticus to Homo Zapiens: Viktor Pelevin’s Consumer Dystopia // The Russian Review. 2008. 67. № 4. P. 559–579.

Khagi S.

Khagi S. Garros-Evdokimov and Commodification of the Baltics // Journal of Baltic Studies. 2010. 41. № 1. P. 119–137.

Khagi S.

Khagi S. Humans, Animals, Machines: Scenarios of Raschelovechivanie in Gray Goo and Matisse // The Human Reimagined: Posthumanism in Late Soviet and Post-Soviet Russia / Ed. J. Vaingurt, C. McQuillen. Boston: Academic Studies, 2018. P. 69–97.

Khagi S.

Khagi S. Incarceration, Alibi, Escape? Victor Pelevin’s Art of Irony // Russian Literature. 2014. 76. № 4. P. 381–406.

Khagi S.

Khagi S. One Billion Years after the End of the World: Historical Deadlock, Contemporary Dystopia, and the Continuing Legacy of the Strugatskii Brothers // Slavic Review. 2013. 72. № 2. P. 267–286.

Khagi S.

Khagi S. Parameters of Space-Time and Degrees of (Un)freedom: Dmitry Bykov’s ZhD // Geo-Political Identity Making in Post-Soviet Russian Speculative Fiction / Ed. M. Suslov, Per-Arne Bodin. London: I. B. Tauris, 2019. P. 281–300.

Khagi S.

Khagi S. The Monstrous Aggregate of the Social: Toward Biopolitics in Victor Pelevin’s Work // Slavic and East European Journal. 2011. 55. № 3. P. 439–459.

Khagi S.

Kierkegaard S. The Concept of Irony, with Continual Reference to Socrates: Notes of Schelling’s Berlin Lectures. Princeton, N. J.: Princeton University Press, 1989.