Светлый фон
The Cinema as Graphic Art.

Okaley, Kenneth P. Man the Tool-maker. London: British Museum, 1963.

the Tool-maker.

Ozenfant, Amedee. Foundations of Modern Art. New York: Dover, 1952.

Foundations of Modern Art.

Panofsky, Erwin. Gothic Architecture and Scholasticism. Latrobe, Pennsylvania: Archabbey Press, 1951.

Gothic Architecture and Scholasticism.

___. Meaning in the Visual Arts. Middlesex: Penguin, 1970.

Meaning in the Visual Arts.

Rapoport, Amos. House, Form and Culture. Englewood Cliffs, New Jersey: Prentice-Hall, 1969.

House, Form and Culture.

Read, Sir Herbert. The Grass Roots of Art. New York: Wittenborn, 1955.

The Grass Roots of Art.

___. Icon and Idea? London: Faber, 1955.

Icon and Idea?

___. The Philosophy of Modem Art. London: Faber, 1965.

The Philosophy of Modem Art.

Rosenberg, Harold. The Tradition of the New. London: Paladin, 1970.

The Tradition of the New.

Sahlins, Marshall. Stone Age Economics. London: Tavistock Publications, 1974.