РелигияИстория и культура индийского храма. Книга I. Рождение храмастр 333
Светлый фон
Sivaraman E. A. Chidambara Mahatmyam (The Greatness of the Supreme Divine Lord Nataraja). Bharatiya Vidya Bhavan.

Smythies, Adrian Greville.The Architecture and Iconography of the Hindu Temple in Eads, Tennessee. A Thesis Submitted to the Faculty of the University of Alabama and the University of Alabama at Birmingham, in Partial Fulfillment of the Requirements for the Degree of Master of Arts. Birmingham, Alabama, 2006.

Smythies, Adrian Greville. The Architecture and Iconography of the Hindu Temple in Eads, Tennessee

Soneji, Davesh.Unfinished Gestures: Devadasis, Memory, and Modernity in South India. The University of Chicago, 2012.

Soneji, Davesh. Unfinished Gestures: Devadasis, Memory, and Modernity in South India.

Soundara Rajan, K. V.Karṇāṭa Style, c. A. D. 700–750. Calukyas of Bādāmi: Phase II // Encyclopaedia of Indian Temple Architecture. South India: Upper Drāviḍadēśa. Early Phase (A. D. 500–1075). Ed. by Michael W. Meister. Vol. I, Part 2: Text. American Institute of Indian Studies. University of Pennsylvania Press. New Delhi, 1986.

Soundara Rajan, K. V. Karṇāṭa Style, c. A. D. 700–750. Calukyas of Bādāmi: Phase II // Encyclopaedia of Indian Temple Architecture. South India: Upper Drāviḍadēśa. Early Phase (A. D. 500–1075).

–. Early Pāṇḍināḍu style, c. A. D. 775–800. Pāṇḍyas of Madurai: Phase I // Encyclopaedia of Indian Temple Architecture. South India: Lower Drāviḍadēśa (200 B. C. – A. D. 1300). Ed. by Michael W. Meister. Vol. I, Part 1: Text. American Institute of Indian Studies. New Delhi, 1999.

arly Pāṇḍināḍu style, c. A. D. 775–800. Pāṇḍyas of Madurai: Phase I // Encyclopaedia of Indian Temple Architecture. South India: Lower Drāviḍadēśa (200 B. C. – A. D. 1300).

Sources of Indian Tradition. 2nd Revised Ed. New York, 1988.

Sources of Indian Tradition. Sources of Indian Tradition.

South Indian Temple Inscriptions. Vol. III, Part 1. Government Oriental Series, № CXXXI. Madras, 1955.

South Indian Temple Inscriptions. South Indian Temple Inscriptions.

Sreeranjini, M.Analysis of the compositions of Sri Muthuswami Dikshitar with special reference to Lord Siva. Submitted to the partial fulfilment of the requirement for the award of the degree of Doctor of Philosophy in Music. Sree Sankaracharya University of Sanskrit, Kalady. 2010. http://hdl.handle.net/10603/136024.