Jackson J. A.
– Jaeger P. John Cage and Buddhist Ecopoetics. L.; N. Y.: Bloomsbury, 2013.
Jaeger P.
– Jarman D. Alban Berg: Wozzeck. Cambridge; N. Y.: Cambridge University Press, 1989.
Jarman D.
– Järvinen H. Dancing Genius: The Stardom of Vaslav Nijinsky. Houndmills; N. Y: Palgrave Macmillan, 2014. P – Judd C. C. Renaissance Modal Theory: Theoretical, Compositional, and Editorial Perspectives // The Cambridge History of Western Music Theory / Th. Christensen (ed.). Cambridge: Cambridge University Press, 2002.
Järvinen H.
Judd C. C.
– Jaffe A. Jazz Harmony. Tübingen: Advance Music, 1996.
Jaffe A.
– James B. Kings of Jazz: Bix Beiderbecke. N. Y.: A. S. Barnes and Company, Inc., 1961.
James B.
– Jarman-Ivens F. Notes on Musical Camp // The Ashgate Research Companion to Popular Musicology / D. B. Scott (ed.). Farnham: Ashgate, 2009.
Jarman-Ivens F.
– Jasen D. A., Jones G. Black Bottom Stomp: Eight Masters of Ragtime and Early Jazz. N. Y.; Abingdon: Routlege, 2002.
Jasen D. A., Jones G.
– Jefferson T. Cultural Responses of the Teds // Resistance Through Rituals: Youth Subcultures in Post- war Britain / S. Hall, T. Jefferson (eds.). L.; N. Y.: Routledge, 1991.
Jefferson T.
– Jeffries M. P. Thug Life: Race, Gender, and the Meaning of HipHop. Chicago; L.: The University of Chicago Press, 2011.
Jeffries M. P.