– Hall S., Whannel P. The Young Audience // On Record: Rock, Pop, and the Written Word / S. Frith, A. Goodwin (eds.). N. Y.:

Routledge, 1990.

– Hamilton A. Aesthetics and Music. L.; N. Y.: Continuum, 2007.

– Hanley J. J. Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975–1996. A thesis submitted in partial fulfillment of the requirements for the degree of PhD in Music (Music History). Stony Brook: Stony Brook University, 2011.

– Hannerz E. Performing Punk. N.Y.: Palgrave Macmillan, 2015.

– Hampshire J. Citizenship and Belonging: Immigration and the Politics of Demographic Governance in Postwar Britain. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2005.

– Harker B. Louis Armstrong’s Hot Five and Hot Seven Recordings. N. Y.: Oxford University Press, 2011.

– Harkness G. Chicago Hustle and Flow: Gangs, Gangsta Rap, and Social Class. Minneapolis, L.: University of Minnesota Press, 2014.

– Harrison A. K. Hip Hop Underground: The Integrity and Ethics of Racial Identification. Philadelphia: Temple University Press, 2009.

– Harry B. The British Invasion: How the Beatles and other UK Bands Conquered America. New Malden: Chrome Dreams, 2004.