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Walter M.

– Ward B. Just my soul responding: Rhythm and Blues, Black Consciousness and Race Relations. L.: UCL Press, 1998.

Ward B.

– Warfield P. Making the March King: John Philip Sousa’s Washington Years, 1854–1893. Urbana; Chicago; Springfield: University of Illinois Press, 2013.

Warfield P.

– Wark M. The Beach Beneath the Street: The Everday Life and Glorious Times of the Situationist International. L.; N. Y.: Verso, 2011.

Wark M.

– Warwick J. Singing Style and White Masculinity // The Ashgate Research Companion to Popular Musicology / D. B. Scott (ed.). Farnham: Ashgate, 2009.

Warwick J.

– Wason R. W. Musica Practica: Music Theory as Pedagogy // The Cambridge History of Western Music Theory / T. Christensen (ed.). Cambridge: Cambridge University Press, 2008.

Wason R. W.

– Watkins S. C. Hip Hop Matters: Politics, Pop Culture, and the Struggle for the Soul of a Movement. Boston: Beacon Press, 2005.

Watkins S. C.

– Wayne T. K. Encyclopedia of Transcendentalism. N. Y.: Facts On File, 2006.

Wayne T. K.

– Weinstein D. Heavy Metal: The Music and Its Culture. Boston: Da Capo Press, 2000.

Weinstein D.

– Weissman D. Blues. N. Y.: Facts On File, 2006.

Weissman D.

– Whaley P. Blows Like a Horn: Beat Writing, Jazz, Style, and Markets in the Transformation of U.S. Culture. Cambridge; L.: Harvard University Press, 2004.