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Stokes W. R.

– Stone A. The Value of Popular Music: An Approach from Post-Kantian Aesthetics. L.: Palgrave Macmillan, 2016.

Stone A.

– Stoute S., Rivas M. E. The Tanning of America: How Hip-Hop Created a Culture That Rewrote the Rules of the New Economy. N. Y.: Gotham Books, 2011.

Stoute S., Rivas M. E.

– Stubbs D. Future Days: Krautrock and the Building of Modern Germany. L.: Faber and Faber, 2014.

Stubbs D.

– Stubbs D. Mars by 1980: The Story of Electronic Music. L.: Faber & Faber, 2018. – Suisman D. Selling Sounds: The Commercial Revolution in American Music. Cambridge; L.: Harvard University Press, 2009.

Stubbs D. uisman D.

– Sullivan L. Composers of Color of Nineteenth- Century New Orleans: The History Behind the Music // Creole: The History and Legacy of Louisiana’s Free People of Color / S. Kein (ed.). Baton Rouge: Louisiana State University Press, 2000.

Sullivan L.

– Sun H. Digital Revolution Tamed: The Case of the Recording Industry. Cham: Palgrave Macmillan, 2019.

Sun H.

– Svorinich V. Listen to This: Miles Davis and Bitches Brew. Jackson: University Press of Mississippi, 2015. – Sweet and Lowdown // Scripts.com. 05.08.2005. URL: https:// www.scripts.com/script/sweet_and_lowdown_19217.

Svorinich V.

– Sylvan R. Trance Formation: The Spiritual and Religious Dimensions of Global Rave Culture. N. Y.; L.: Routledge, 2005.

Sylvan R.

– Tackley C. Benny Goodman’s Famous 1938 Carnegie Hall Jazz Concert. Oxford; N. Y.: Oxford University Press, 2012.

Tackley C.