Strickland 2011 – Strickland D. H. Antichrist and the Jews in Medieval Art and Protestant Propaganda // Studies in Iconography, 2011, Vol. 32. P. 1–50.
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Strickland 2014 – Strickland D. H. Meanings of Muhammad in Later Medieval Art // Gruber Chr., Shalev A. (eds.). The Image of the Prophet between Ideal and Ideology: A Scholarly Investigation. Berlin; Boston: De Gruyter, 2014. P. 147–163.
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Strickland 2016a – Strickland D. H. The Epiphany of Hieronymus Bosch: Imagining Antichrist and Others from the Middle Ages to the Reformation. London: Harvey Miller, 2016.
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Strickland 2016b – Strickland D. H. Gazing into Bernhard Blumenkrnz's Mirror of Christian Art: The Fourteenth-Century Tring Tiles and the Jewishness of Jesus in Post-Expulsion England // Buc Ph., Keil M., Tolan J. (eds.). Jews and Christians in Medieval Europe: The Historiographical Legacy of Bernhard Blumenkranz. Turnhout: Brepols, 2016. P. 147–188.
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Strickland 2018 – Strickland D. H. Edward I, Exodus, and England on the Hereford World Map // Speculum, 2018, Vol. 93, № 2. P. 421–469.
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Strickland 2019 – Strickland D. H. Monsters, Demons, and Jews in the Painting of Hieronymus Bosch // Idelson-Shein I., Wiese Chr. (eds.). Monsters and Monstrosity in Jewish History: From the Middle Ages to Modernity. London: Bloomsbury Press, 2019. P. 42–68.
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Swain 2007 – Swain S. (ed.). Seeing the Face, Seeing the Soul: Polemon's Physiognomy from Classical Antiquity to Medieval Islam. Oxford; New York: Oxford University Press, 2007.
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Tachau 1998 – Tachau K. God's Compass and Vana Curiositas: Scientific Study in the Old French Bible Moralisée // The Art Bulletin, 1998, Vol. 80, № 1. P. 7–33.
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Tahar Mansouri 2007 – Tahar Mansouri M. Du Voile et du Zunnâr. Du code vestimentaire en pays d'Islam. Tunisie: l'Or du Temps, 2007.
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