Murchison G. 2000. «Dean of Afro-American Composers» or «Harlem Renaissance Man»: The New Negro and the Musical Poetics of William Grant Still // Smith C. P. William Grant Still: A Study in Contradictions. Berkeley: University of California Press. P. 39–65.

Murphet J. 1998. Film Noir and the Racial Unconscious // Screen. Vol. 39. No. 1. P. 22–35.

Murray G. 2003. The Last Place in the World… A Review of Far From Heaven. Available online at: <www.sensesofcinema.com/contents/03/25/far_from_heaven.html>.

Musser C. 1990. The Travel Genre in 1903–1904: Moving Towards Fictional Narrative // Early Cinema: Space, Frame, Narrative / T. Elsaesser, A. Barker (eds). L.: British Film Institute. P. 123–132.

Musser C. 1991. Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company Berkeley. University of California Press.

Naficy H. 2001. An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton: Princeton University Press.

Naremore J. 1996 [1978]. On Citizen Kane // Perspectives on Citizen Kane / R. Gottesman (ed.). N. Y.: G. K. Hall. P. 268–294. (Extracted from The Magic World of Orson Welles. N. Y.: Oxford University Press.)

Naremore J. 1998. More Than Night: Film Noir in Its Contexts. Berkeley: University of California Press.

Naremore J. (ed.). 2000a. Film Adaptation. L.: Athlone Press.

Naremore J. 2000b. Introduction: Film and the Reign of Adaptation // Film Adaptation. L.: Athlone Press. P. 1–16.