Светлый фон
Oliver K., Trigo B.

Orr J., Ostrowski E. (eds). 2003. The Cinema of Andrzej Wajda: The Art of Irony and Defiance. L.: Wallflower.

Orr J., Ostrowski E.

Parkinson M., Jeavons C. 1972. A Pictorial History of the Western. L.: Hamlyn.

Parkinson M., Jeavons C.

Pascal R. 1977. The Dual Voice: Free Indirect Speech and its Functioning in the Nineteenth Century European Novel. Manchester: Manchester University Press.

Pascal R.

Pearce L. 1994. Reading Dialogics. L.: Edward Arnold.

Pearce L.

Pearsall D. 2003. Forging Truth in Medieval England // Cultures of Forgery: Making Nations, Making Selves / J. Ryan, A. Thomas (eds). N. Y.: Routledge. P. 3–14.

Pearsall D.

Perkins V. 1996. Johnny Guitar // The Movie Book of the Western / I. Cameron, D. Pye (eds). L.: Studio Vista. P. 221–228.

Perkins V.

Perri C. 1978. On Alluding // Poetics. No. 7. P. 289–307.

Perri C.

Peterson J. 1998. The Competing Tunes of Johnny Guitar: Liberalism, Sexuality, Masquerade // The Western Reader / J. Kitses, G. Rickman (eds). N. Y.: Limelight Editions. P. 321–339.

Peterson J.

Petric V. 1984. Esther Shub: Film as a Historical Discourse // ‘Show Us Life’: Toward a History and Aesthetics of the Committed Documentary / T. Waugh (ed.). Metuchen, NJ: Scarecrow Press.

Petric V.

Pfister M. 1991. How Postmodern is Intertextuality? // Intertextuality / H. Plett (ed.). Berlin: De Gruyter. P. 207–224.