Stam R., Vieira J. V., Xavier I. 1995. The Shape of Brazilian Cinema in the Postmodern Age // Brazilian Cinema / R. Johnson, R. Stam (eds) (exp. ed.). N. Y.: Columbia University Press. P. 389–472.

Stanfield P. 2002. «Film Noir Like You’ve Never Seen Before»: Jim Thompson Adaptations and Cycles of Neo-noir // Genre and Contemporary Hollywood / S. Neale (ed.). L.: British Film Institute. P. 251–268.

Stearns M., Stearns J. 1968. Jazz Dance: The Story of American Vernacular Dance. N. Y.: Macmillan.

Stern K. 1994. Pasticcio // The New Grove Dictionary of Opera / S. Sadie (ed.). L.: Macmillan. P. 907–910.

Still J., Worton M. (eds). 1990. Intertextuality: Theories and Practices. Manchester: Manchester University Press.

Stuart A. 1997. The Watermelon Woman // Sight and Sound. Vol. 7. No. 10 (NS). P. 63–64.

Studlar G. 1998. Wider Horizons: Douglas Fairbanks and Nostalgic Primitivism // Back in the Saddle Again / E. Buscombe, R. Pearson (eds). L.: British Film Institute. P. 63–76.

Studlar G., Bernstein M. (eds). 2001. John Ford Made Westerns: Filming Beyond the Legend in the Sound Era. Bloomington: Indiana University Press.

Sutton D. 1980. The Greek Satyr Play. Meisenheim am Glan: Anton Hain.

Suvin D. 1997. Against Originals: Honkadori and the Horizons of Pastiche // Parodia, Pastiche, Mimetismo / P. Mildoniana (ed.). Rome: Bulzoni. P. 65–80.