Russett M. (n.d.). Percival Everett: The African-American Novelist under Erasure. Available online at: http://usconsulate-istanbul.org.tr/reppub/newamstud/mrussett.html.

Russett M. 2005. Race under Erasure: For Percival Everett, «a piece of fiction» // Callaloo. Vol. 28. No. 2. P. 358–368.

Ryan J. 1990. The Problem of Pastiche: Patrick Süskind’s Das Parfum // German Quarterly. Vol. 63. No. 3–4. P. 396–403.

Ryan J., Thomas A. (eds). 2003. Cultures of Forgery: Making Nations, Making Selves. N. Y.: Routledge.

Ryder G. A. 1993. Harlem Renaissance Ideals in the Music of Robert Nathaniel Dett // Black Music in the Harlem Renaissance / S. A. Floyd (ed.). Knoxville: University of Tennessee Press. P. 41–54.

Salt B. 1983. Film Style and Technology: History and Analysis. L.: Starword.

Sanders R. 1976. The American Popular Song // Next Year in Jerusalem: Jews in the Twentieth Century / D. Villiers (ed.). L.: Harrap. P. 197–219.

Sayce R. A. 1973. The Goncourt Pastiche in Le Temps retrouvé // Marcel Proust: A Critical Panorama / L. Price (ed.). Urbana: University of Illinois Press. P. 102–123.

Scharf A. 1974. Art and Photography (rev. ed.). Harmondsworth: Penguin.

Schiff D. 1997. Gershwin: Rhapsody in Blue. Cambridge: Cambridge University Press.