– Frisch W. Schoenberg’s lieder // The Cambridge Companion to Schoenberg / J. Shaw, J. Auner (eds.). Cambridge; N. Y.: Cambridge University Press, 2010.

– Frith S., McRobbie A. Rock and Sexuality // On Record: Rock, Pop, and the Written Word / S. Frith, A. Goodwin (eds.). N. Y.: Routledge, 1990.

– Frith S. Music and Everyday Life // Cultural Study of Music: A Critical Introduction / M. Clayton, T. Herbert, R. Middleton (eds.). N. Y.; L.: Routledge, 2003.

– Frith S. Performing Rites: On the Value of Popular Music. Cambridge: Harvard University Press, 1996.

– Frith S. Sound Effects: Youth, Leisure, and the Politics of Rock ‘N’ Roll. N. Y.: Pantheon Books, 1978, 1981. – From Pac-Man to Pop Music: Interactive Audio in Games and New Media / K. Collins (ed.). Farnham: Ashgate, 2008.

– Gail D. Weird American Music: Case Studies of Underground Resistance, BarlowGirl, Jackalope, Charles Ives, and Waffle House Music. Heidelberg: Universitätsverlag Winter, 2018.

– Gair C. The Beat Generation: A Beginner’s Guide. Oxford: Oneworld, 2008.

– Gann K. No Escape from Heaven: John Cage as Father Figure // The Cambridge Companion to John Cage / D. Nicholls (ed.). Cambridge: Cambridge University Press, 2006.

– Gann K. No Such Thing as Silence: John Cage’s 4’33”. New Haven; L.: Yale University Press, 2010.

– Garnett R. Too Low to Be Low: Art Pop and the Sex Pistols // Punk Rock: So What? The Cultural Legacy of Punk / R. Sabin (ed.). L., N.Y.: Routledge, 1999.