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George N.

– Georgakas D., Surkin M. Detroit: I Do Mind Dying. A Study in Urban Revolution. Cambridge: South End Press, 1998.

Georgakas D., Surkin M.

– Giddins G. Satchmo. N. Y.: Doubleday, 1988.

Giddins G.

– Gildart K. Images of England through Popular Music: Class, Youth and Rock ’n’ Roll, 1955–1976. L.: Palgrave Macmillan, 2013.

Gildart K.

– Gilman-Opalsky R. Spectacular Capitalism: Guy Debord and the Practice of Radical Philosophy. L.; N.Y.; Port Watson: Minor Compositions, 2011.

Gilman-Opalsky R.

– Gioia T. The History of Jazz. N.Y.; Oxford: Oxford University Press, 1997.

Gioia T.

– Gitler I. Swing to Bop: An Oral History of the Transition in Jazz in the 1940s. N. Y.; Oxford: Oxford University Press, 1985.

Gitler I.

– Givan B. Django Reinhardt’s Left Hand // Jazz Planet / E. T. Atkins (ed.). Jackson: University Press of Mississippi, 2003.

Givan B.

– Glinsky A. Theremin: Ether Music and Espionage. Chicago: University of Illinois Press, 2000.

Glinsky A.

– Gluck B. The Miles Davis Lost Quintet and Other Revolutionary Ensembles. Chicago; L.: University of Chicago Press, 2016.

Gluck B.

– Goehr L. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. N.Y.: Oxford University Press, 1992.