Светлый фон
Schinder S., Schwartz A.

– Schleifer R. Modernism and Popular Music. Cambridge: Cambridge University Press, 2011.

Schleifer R

– Schloss J. G. Foundation: B- Boys, B- Girls, and Hip-Hop Culture in New York. Oxford; N.Y.: Oxford University Press, 2009.

Schloss J. G.

– Schloss J. G. Making Beats: The Art of Sample- Based Hip-Hop. Middletown: Wesleyan University Press, 2004.

Schloss J. G.

– Schmidt J. Mephistopheles in Hollywood: Adorno, Mann, and Schoenberg // The Cambridge Companion to Adorno / T. Huhn (ed.). Cambridge, N. Y.: Cambridge University Press, 2006. – Schoenberg’s Early Correspondence 1891— May 1907 / E. Haimo, S. Feisst (eds.). Oxford; N. Y.: Oxford University Press, 2016.

Schmidt J.

– Schoenberg A. Theory of Harmony. Berkeley; L. A.: University of California Press, 1978.

Schoenberg A.

– Schonberg H. C. Music: Leon Theremin, Inventor of Instrument Bearing His Name Is Interviewed in the Soviet Union // The New York Times. 26.04.1967.

Schonberg H. C.

– Schuller G. Early Jazz: Its Roots and Musical Development. N. Y: Oxford University Press, 1968.

Schuller G.

– Schuller G. Musings: The Musical Worlds of Gunther Schuller. Oxford: Oxford University Press, 1986.

Schuller G.

– Schur R. L. Parodies of Ownership: Hip-Hop Aesthetics and Intellectual Property Law. Ann Arbor: The University of Michigan Press and The University of Michigan Library, 2009.

Schur R. L.

– Schwartz R. F. How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom. Aldershot: Ashgate, 2007.