Светлый фон
Shuker R

– Shultis C. Silencing the Sounded Self: John Cage and the American Experimental Tradition. Hanover; L.: University Press of New England, 1998.

Shultis C.

– Silver H. Let’s Get to the Nitty Gritty: The Autobiography of Horace Silver. Berkeley; L. A.; L.: University of California Press, 2006.

Silver H.

– Silverman K. Begin Again: A Biography of John Cage. N. Y.: Alfred A. Knopf, 2010.

Silverman K.

– Simms B. R. The Atonal Music of Arnold Schoenberg 1908–1923. Oxford; N. Y.: Oxford University Press, 2000. – Situationist International Anthology / K. Knabb (ed.). Berkeley: Bureau of Public Secrets, 2006.

Simms B. R.

– Slawenski K. J. D. Salinger: A Life. N.Y.: Random House, 2010.

Slawenski K.

– Smith K. L. Popular Dance: From Ballroom to Hip-Hop. N. Y.: Chelsea House, 2010.

Smith K. L.

– Smith S. Hip-Hop Turntablism, Creativity and Collaboration. Farnham: Ashgate, 2013.

Smith S.

– Smith T. R. Southern Queen: New Orleans in the Nineteenth Century. L.; N. Y.: Continuum, 2011.

Smith T. R.

– Smith K. Skryabin, Philosophy and the Music of Desire. N. Y.: Routledge, 2013.

Smith K.

– Solis G. Monk’s Music: Thelonious Monk and Jazz History in the Making. Berkeley; L. A.: University of California Press, 2008.